• [MUTE]ation, composition for computer, "Music from the Center for Research in Electro-Acoustic Music", CDCM Computer Music Series, Vol. 26, CRC-2404, track 3, September 1998.
• Four Proportional Preludes, composition for piano, SCI Journal of Music Scores, Vol. 24, European American Music/C.F. Peters Corp., May 1998; and SCI CD No. 11: Chamber Works, Capstone Records, CPS-8651, tracks 1-4, June 1998.
• difference (no doubt it queues) and an abstract (difference (queues)), compositions for computer, The Frog Peak Collaborations Project, a double audio CD international compilation of 115 short compositions on a sound text by Australian sound poet Chris Mann, Frog Peak Music, FP007, CD1, tracks 49 & 50, April 1998.
• Refraction: Three Gestural Reflections, composition for trombone quartet, International Trombone Association Press [ITA Press], November 1997.
• "Applying ImprovisationBuilder to Interactive Composition with MIDI Piano", co-authored with William Walker, Proceedings of the 1996 International Computer Music Conference, (Hong Kong, China), D. Rossiter, ed., pp. 386 - 89, ICMA, San Francisco, CA, 1996.
• "Things You Need to Think About Before You Write Your Next Tape Piece: A Discussion in the Style of a Medieval Dialog Between Two Contemporary Composers", (with Jim McManus), Journal SEAMUS, Vol. 11, No. 2, November 1996, pp. 4 - 7.
• "Integrating real-time interactive software synthesis, pre-processed resynthesis, MIDI data, and acoustic piano in composition and live performance", Proceedings of the 1994 National Conference: The Society for Electro-Acoustic Music in the United States, (Middlebury, VT), S. Beck, ed., pp. 16 - 17, SEAMUS, Baton Rouge, LA, 1995.
• "Toward a unification of algorithmic composition, real-time software synthesis, and live performance interaction", Proceedings of the 1992 International Computer Music Conference, (San Jose, CA), A. Strange, ed., pp. 158 - 61, ICMA, San Francisco, CA, 1992.
• "Using the Kyma digital synthesis system as a single, unified environment for real-time software synthesis, algorithmic composition, and live performance", Proceedings of the Japan Music and Computer Science Society Summer Symposium 1992, T. Matsushima, ed., pp. 25 - 29, Waseda University, Tokyo, Japan, 1992.
• "Proportional recursive stochastic composition using COMP2, a Smalltalk-80 composition program within the Kyma digital synthesis system", Proceedings of the 1991 International Computer Music Conference, (Montréal), B. Alphonce and B. Pennycook, eds., pp. 513 - 16, ICMA, San Francisco, CA, 1991.
• An Examination of the Theories and Compositions of James Tenney, 1982-1985. Doctoral Dissertation. Ann Arbor, MI: University Microfilms, Inc., 1990.
• "An Interview with James Tenney", Perspectives of New Music, 25/1 and 2, Winter and Summer 1987 (part of "A Tribute to James Tenney"), pp. 459 - 66.
• Quanta Affected by Observation. Composition for electronic tape, included in audio compilation In Celebration of the 25th Anniversary of the Experimental Music Studios, University of Illinois at Urbana-Champaign, Urbana, IL, 1984.

Computer Music Journal

Editorials:

• "Dancing about Architecture?", Vol. 17, No. 1, Spring 1993, pp. 4 - 5.
• "The Composer and the Computer", Vol. 16, No. 2, Summer 1992, pp. 7 - 8.
• "The First Dilemma: The State of the Art", Vol. 15, No. 4, Winter 1991, p. 5.
  

Compact Disk Reviews:

• "CDCM Computer Music Series, Volume 10: The Virtuoso in the Computer Age -- I", Vol. 17, No. 4, Winter 1993, pp. 82 - 85.
• "Neil B. Rolnick: Macedonian Air Drumming", Vol. 17, No. 1, Spring 1993, pp. 72 - 75.
• "New Graduate Works from the Experimental Music Studios -- University of Illinois at Urbana-Champaign", Vol. 16, No. 4, Winter 1992, pp. 96 - 98.

Conference, Festival, and Concert Review:

• "The Second Santa Fe International Festival of Electroacoustic Music", Vol. 23, No. 1, Spring 1999, pp. 69 - 72.
• "Technology and the Composer: The Continuing Tradition of Music Composed for Tape", Vol. 19, No. 1, Spring 1995, pp. 102 - 05.

Journal SEAMUS

Concert Report:

• "Electro-Acoustic Music Week 'Music for Electronic Media'", (Concert Report), SEAMUS Newsletter, Vol. 7, No. 2, Winter 1998, p. 9.
• "SEAMUS Concert at San Jose State University", Vol. 10, No. 2, November 1995, pp. 10 - 11.